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(Created page with "'''MEPA-12X''' (めぱ12X in Bahasa Sokoku) is a dystopian sci-fi drama series made in Sokoku, broadcasted in a dozen countries around the globe. The series are set in an unnamed future, about 60-120 years from now, aboard an interplanetary vessel making its second journey between Gotha and Koth. The 15 person crew, mainly of Sokokan origin, battles against the unreliable nature of the experimental vessel and the internal tension among the crew members on a missi...")
 
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[[File:Mepa12xpromo.jpg|alt=MEPA-12X promo still for season 2 as used in Sokokan television SiDa-1.|thumb|400x400px|MEPA-12X promo still for season 2 as used in Sokokan television SiDa-1.]]
'''MEPA-12X''' (めぱ12X in [[Bahasa Sokoku]]) is a dystopian sci-fi drama series made in [[Sokoku]], broadcasted in a dozen countries around the globe. The series are set in an unnamed future, about 60-120 years from now, aboard an interplanetary vessel making its second journey between Gotha and Koth. The 15 person crew, mainly of Sokokan origin, battles against the unreliable nature of the experimental vessel and the internal tension among the crew members on a mission to rescue a stranded expedition attempting to set up a first Orderist colony on the distant planet. In this setting, Sokoku is an Orderist state partaking in an enterprise to colonise new worlds due to the overexploitation of Gotha by free market capitalists.
'''MEPA-12X''' (めぱ12X in [[Bahasa Sokoku]]) is a dystopian sci-fi drama series made in [[Sokoku]], broadcasted in a dozen countries around the globe. The series are set in an unnamed future, about 60-120 years from now, aboard an interplanetary vessel making its second journey between Gotha and Koth. The 15 person crew, mainly of Sokokan origin, battles against the unreliable nature of the experimental vessel and the internal tension among the crew members on a mission to rescue a stranded expedition attempting to set up a first Orderist colony on the distant planet. In this setting, Sokoku is an Orderist state partaking in an enterprise to colonise new worlds due to the overexploitation of Gotha by free market capitalists.


WORK IN PROGRESS
<small>WORK IN PROGRESS</small>


== Plot, seasons and episodes ==
The series comprises of three seasons with 11 episodes of 55 minutes each. The first series covers the launch from Gothan orbit towards Tyr and ends when the commander explains the true purpose of the mission. The second series covers most of the journey towards Tyr, while season 3 mainly takes place on Koth. A season 4 was planned, but funding was cut which left a rather open end to the plot.


Plot, seasons and episodes
The series is mainly told from the perspective of the 8 person "night crew", which operates on a 12 hour shift opposite the "day crew". While the day crew is executing the mission, the night crew is only there as some sort of back-up. Which explains why the medic and the caretaker are on the night crew. The mission is not sanctioned by the Orderist Commonwealth at first, who had already given up on the nearly 200 colonizers on Koth. The dangerous journey was planned by an opposing faction within the Orderist military. This is one of the reasons the crew mainly consists of Sokokan members, it is considered too dangerous to risk an Anarian crew for.


The series comprises of three seasons with 11 one hour episodes each. The first series covers the launch from Gothan orbit towards Tyr and ends when the commander explains the purpose of the mission. The second series covers most of the journey towards Tyr, while season 3 mainly takes place on Koth. While a season 4 was planned, funding was cut which left a rather open end to the plot.
A main motive throughout the series are the collisions in leadership style between Captain Anji and Commander Tsumugi. Where Anji is an Orderist military following a strict hierarchy, wanting to control every detail of operations, Tsumugi on the other hand is a senior project manager from the Orderist secretariat preparing the mission out of sight of the Orderist military, who operates more as a motivating and stimulating team manager leaving much responsibility to the specialists. These differences become evident and crucial when the vessel MEPA-12X needs a lot more maintenance and repairs en-route than planned, leading to serious malfunctions and life threatening incidents.


The series is mainly told from the perspective of the 8 men "night crew", which operates on a 12 hour shift opposite the "day crew". While the day crew is executing the mission, the night crew is only there as some sort of back-up. Which explains why the medic and the caretaker were on the night crew. The mission is unsanctioned by the Orderist Commonwealth at first, who had already given up on the nearly 200 Orderist colonizers on Koth. The dangerous journey was planned by an opposing faction within the military. This is one of the reasons the crew mainly consists of Sokokan members, it is considered too dangerous to risk an Anarian crew for.
=== Music ===
The music score plays an important role in the series. The main theme "''Tidak aman pada kecepatan berapa pun''" (Unsafe at any speed) was written specifically for the TV-series by the Sokokan hard rock band  ''Kumis''. Instrumental parts of the song, including the trademark opening guitar riff, are recurring interludes during the episodes. ''Kumis'' has become a major entertainment group thanks to the domestic popularity of the series.


Each episode features one more musical interlude, often in the form of a hard rock or metal style song. These are usually existing releases used "on loan" for the TV series. After the success of season 1, many bands lined up wanting to deliver a song to the production. This led to the federal secretariat for cultural affairs getting involved in the production, synchronising the promotional efforts of the federally supported bands with the TV producers. Season 2 and 3 each got a different track used during the end credits as well, creating exposure to more bands. This type of cultural product placement became a main sponsor for the production of season 3. After each season, an album with all the songs was released.


Characters
Closing song for season 1 was "''Jalan boloh''" by ''Gatal-Gatal,'' an up-tempo garage rock type of song with satirical lyrics. For season 2, a special version of "''Tidak ada waktu untuk mati''" by ''Koki Gila'' was used, with one of the characters delivering the opening line of the song as some sort of cliffhanger. The version with Ana delivering the line was released as a single, while the ''Koki Gila'' album version had Kurumi as opening vocalist. This pop rock song had some metal elements due to the duelling guitars in it. On the TV-series album, Tsumugi was featured instead. Season 3's end title track was ''"Cermin Tergores''" by ''Perpaduan Rasa''. This rap metal track had a very gentle pre-chorus sung by an angelic voice contrasting the in-your-face lyrics of the chorus.


Day team
== Characters ==
{| class="wikitable"
|+Day team
!Character
!
!Role
!Actor
!S01
!S02
!S03
|-
|Anji
|Male, early 50's
|1st command, captain
|
|Recurring
|Recurring
|Recurring
|-
|Taisan
|Male, late 40's
|3rd command, military pilot
|
|Guest
|Guest
|Recurring
|-
|Frank
|Male, mid 50's
|5th, chief engineer from [[Helreich]]
|
|Recurring
|Guest
|Recurring
|-
|Geru
|Male, early 50's
|10th, executive engineer, Kurumi's uncle
|
|Recurring
|Guest
|Guest
|-
|Alto
|Male, early 40's
|7th, mission specialist with a background in exogothan geography and climate, originally from [[Mirapan]]
|
| -
|Guest
|Recurring
|-
|Kotono
|Female, early 30's
|9th, energy and life systems engineer
|
|Guest
|Recurring
|Guest
|-
|Rina
|Female, mid 30's
|13th, payload specialist
|
| -
|Guest
|Guest
|}
{| class="wikitable"
|+Night team
!Character
!
!Role
!Actor
!S01
!S02
!S03
|-
|Tsumugi
|female, late 30's
|2nd in command, team commander, [[Kakuri community|Kakuri]]. Originally the planner of the mission, but when the intended #2 fell ill before lift-off, she was the only logical replacement. Punching way above her weight, creating authority issues with staff seniors, which is half the crew.
|
|Main
|Main
|Main
|-
|Endo
|male, early 40's
|4th, military pilot. ('''Spoiler ahead''':) Killed in S2 due to decompression caused by a micro meteorite.
|
|Recurring
|Recurring
| -
|-
|Kohei
|male, late 50's
|6th later demoted to 16th, mission specialist with a background in microbiology and agriculture.
|
|Recurring
|Recurring
|Main
|-
|Shinsuke
|male, early 30's
|8th, mission specialist for vessel maintenance and repairs
|
|Recurring
|Recurring
|Guest
|-
|Kurumi
|female, mid 20's
|12th, master's student in propulsion engineering, technically more like an intern to her uncle Geru on the day crew. Most junior in the crew, but still outranking both payload specialists.
|
|Main
|Main
|Main
|-
|Toru
|male, early 30's
|14th, payload specialist, later trained as pilot.
|
|Main
|Main
|Main
|-
|Kei
|female, early 40's
|11th, medical doctor
|
|Main
|Main
|Main
|-
|Ana
|female, late 20's
|15th, caretaker. Originally from [[Anisora]] but traveling incognito, on the run for authorities.
|
|Main
|Main
|Main
|}
{| class="wikitable"
|+Koth settlers
!Character
!
!Role
!Actor
!S01
!S02
!S03
|-
|Taka
|male, late 30's
|Sokokan settler
|
| -
| -
|Recurring
|-
|
|
|
|
| -
|
|
|-
|
|
|
|
| -
|
|
|-
|
|
|
|
| -
|
|
|-
|
|
|
|
| -
|
|
|-
|
|
|
|
| -
|
|
|-
|
|
|
|
|
|
|
|}


* Anji (male, early fifties) commander
== Reception, reviews and rewards ==
* Taisan (male, late fourties) military pilot
The series was not an immediate hit among the Sokokan audience. Viewer numbers were in the single digits during the first episodes, but with the numbers rising after each showing. When S1.E06 reached an audience rating of 10.0 (indicating that 10% of the population above 16 years old was watching) the previous episoded were put on repeat on regional and state channels so that people could catch up before E07. Main reason for the slow success of the series was the dark setting and rather unpopular setting of Sokoku as a future Orderist nation. However, the compelling story arch and the relatable characters for a wider audience had a captivating effect, making the TV series much talked about on the work floor. During season 1 it became obvious that the series presented a highly negative image of both orderist and capitalist systems. The writers clearly included some häverist elements in order to create worse circumstances for the main characters in the series. The season finale of season 1 was the best watched episode in TV drama of 7686 in Sokoku.
* Frank (male, mid fifties) chief engineer from [[Helreich]]
* Geru (male, early fifties) executive engineer, Kurumi's uncle
* Alto (male, late fourties) x from [[Mirapan]]
* Kotono (female, early thirties) life support engineer
* Rina (female, mid thirties) payload specialist


Night team
The series was presented at the annual ''Fjärran'' festival in [[Talpå]], [[Vittmark]] that same year. Both the anti-orderist and anti-capitalist tendencies attracted an underground audience at the pilot's showing, resulting in the series being bought by the the public broadcaster ''Länken'', affiliated with the Unity Connect political party. It became a viewer success despite the odd airing times on Vittmark's third public service channel. This led to more progressive and counter culture orientated networks and broadcasters acquiring the television rights. The income of the foreign franchise were invested in season 2.


* Tsumugi (female, late thirties) team commander, [[Kakuri community|Kakuri]]
The music featured in the series meant a boost for many of the artists and bands involved. The opening song is a Sokokan classic, still on heavy rotation at radio stations all over the country. The closing credits tracks all reached the #1 position in the sales charts. One of the more unexpected hits was the Stoldic language song called "''Helreich''" that was used in the season 2 final episode of the first landing of a part of the crew on Koth. It was the first and so far only occassion a song in this language made it into the Top 10 in Sokoku. The domestic success of the music affiliated with the series led to a special release after season 3 with a selection of re-recorded songs with parts being sung in languages like [[Kamuran Language|Kamuran]], Hallish, Livarian and [[Wortsproke]]. "''Tidak ada waktu untuk mati''" got completely new lyrics in the unusual combination of Hallish and [[Kakuri languages|Kakuri]], with actress XX (playing Tsumugi in the series) standing for this vocal part.
* Endo (male, early fourties) military pilot
* Kohei (male, late fities)
* Shinsuke (male, early fifties) vessel engineer
* Kurumi (female, around 25) propulsion engineer
* Toru (male, early thirties) payload specialist
* Kei (female, early fourties) military doctor
* Ana (female, late twenties) caretaker, originally from [[Anisora]] but traveling incognito, on the run for authorities.


 
[[Category:Media]][[Category:Sokoku]]
Reception, reviews and rewards

Revision as of 17:34, 18 August 2024

MEPA-12X promo still for season 2 as used in Sokokan television SiDa-1.
MEPA-12X promo still for season 2 as used in Sokokan television SiDa-1.

MEPA-12X (めぱ12X in Bahasa Sokoku) is a dystopian sci-fi drama series made in Sokoku, broadcasted in a dozen countries around the globe. The series are set in an unnamed future, about 60-120 years from now, aboard an interplanetary vessel making its second journey between Gotha and Koth. The 15 person crew, mainly of Sokokan origin, battles against the unreliable nature of the experimental vessel and the internal tension among the crew members on a mission to rescue a stranded expedition attempting to set up a first Orderist colony on the distant planet. In this setting, Sokoku is an Orderist state partaking in an enterprise to colonise new worlds due to the overexploitation of Gotha by free market capitalists.

WORK IN PROGRESS

Plot, seasons and episodes

The series comprises of three seasons with 11 episodes of 55 minutes each. The first series covers the launch from Gothan orbit towards Tyr and ends when the commander explains the true purpose of the mission. The second series covers most of the journey towards Tyr, while season 3 mainly takes place on Koth. A season 4 was planned, but funding was cut which left a rather open end to the plot.

The series is mainly told from the perspective of the 8 person "night crew", which operates on a 12 hour shift opposite the "day crew". While the day crew is executing the mission, the night crew is only there as some sort of back-up. Which explains why the medic and the caretaker are on the night crew. The mission is not sanctioned by the Orderist Commonwealth at first, who had already given up on the nearly 200 colonizers on Koth. The dangerous journey was planned by an opposing faction within the Orderist military. This is one of the reasons the crew mainly consists of Sokokan members, it is considered too dangerous to risk an Anarian crew for.

A main motive throughout the series are the collisions in leadership style between Captain Anji and Commander Tsumugi. Where Anji is an Orderist military following a strict hierarchy, wanting to control every detail of operations, Tsumugi on the other hand is a senior project manager from the Orderist secretariat preparing the mission out of sight of the Orderist military, who operates more as a motivating and stimulating team manager leaving much responsibility to the specialists. These differences become evident and crucial when the vessel MEPA-12X needs a lot more maintenance and repairs en-route than planned, leading to serious malfunctions and life threatening incidents.

Music

The music score plays an important role in the series. The main theme "Tidak aman pada kecepatan berapa pun" (Unsafe at any speed) was written specifically for the TV-series by the Sokokan hard rock band Kumis. Instrumental parts of the song, including the trademark opening guitar riff, are recurring interludes during the episodes. Kumis has become a major entertainment group thanks to the domestic popularity of the series.

Each episode features one more musical interlude, often in the form of a hard rock or metal style song. These are usually existing releases used "on loan" for the TV series. After the success of season 1, many bands lined up wanting to deliver a song to the production. This led to the federal secretariat for cultural affairs getting involved in the production, synchronising the promotional efforts of the federally supported bands with the TV producers. Season 2 and 3 each got a different track used during the end credits as well, creating exposure to more bands. This type of cultural product placement became a main sponsor for the production of season 3. After each season, an album with all the songs was released.

Closing song for season 1 was "Jalan boloh" by Gatal-Gatal, an up-tempo garage rock type of song with satirical lyrics. For season 2, a special version of "Tidak ada waktu untuk mati" by Koki Gila was used, with one of the characters delivering the opening line of the song as some sort of cliffhanger. The version with Ana delivering the line was released as a single, while the Koki Gila album version had Kurumi as opening vocalist. This pop rock song had some metal elements due to the duelling guitars in it. On the TV-series album, Tsumugi was featured instead. Season 3's end title track was "Cermin Tergores" by Perpaduan Rasa. This rap metal track had a very gentle pre-chorus sung by an angelic voice contrasting the in-your-face lyrics of the chorus.

Characters

Day team
Character Role Actor S01 S02 S03
Anji Male, early 50's 1st command, captain Recurring Recurring Recurring
Taisan Male, late 40's 3rd command, military pilot Guest Guest Recurring
Frank Male, mid 50's 5th, chief engineer from Helreich Recurring Guest Recurring
Geru Male, early 50's 10th, executive engineer, Kurumi's uncle Recurring Guest Guest
Alto Male, early 40's 7th, mission specialist with a background in exogothan geography and climate, originally from Mirapan - Guest Recurring
Kotono Female, early 30's 9th, energy and life systems engineer Guest Recurring Guest
Rina Female, mid 30's 13th, payload specialist - Guest Guest
Night team
Character Role Actor S01 S02 S03
Tsumugi female, late 30's 2nd in command, team commander, Kakuri. Originally the planner of the mission, but when the intended #2 fell ill before lift-off, she was the only logical replacement. Punching way above her weight, creating authority issues with staff seniors, which is half the crew. Main Main Main
Endo male, early 40's 4th, military pilot. (Spoiler ahead:) Killed in S2 due to decompression caused by a micro meteorite. Recurring Recurring -
Kohei male, late 50's 6th later demoted to 16th, mission specialist with a background in microbiology and agriculture. Recurring Recurring Main
Shinsuke male, early 30's 8th, mission specialist for vessel maintenance and repairs Recurring Recurring Guest
Kurumi female, mid 20's 12th, master's student in propulsion engineering, technically more like an intern to her uncle Geru on the day crew. Most junior in the crew, but still outranking both payload specialists. Main Main Main
Toru male, early 30's 14th, payload specialist, later trained as pilot. Main Main Main
Kei female, early 40's 11th, medical doctor Main Main Main
Ana female, late 20's 15th, caretaker. Originally from Anisora but traveling incognito, on the run for authorities. Main Main Main
Koth settlers
Character Role Actor S01 S02 S03
Taka male, late 30's Sokokan settler - - Recurring
-
-
-
-
-

Reception, reviews and rewards

The series was not an immediate hit among the Sokokan audience. Viewer numbers were in the single digits during the first episodes, but with the numbers rising after each showing. When S1.E06 reached an audience rating of 10.0 (indicating that 10% of the population above 16 years old was watching) the previous episoded were put on repeat on regional and state channels so that people could catch up before E07. Main reason for the slow success of the series was the dark setting and rather unpopular setting of Sokoku as a future Orderist nation. However, the compelling story arch and the relatable characters for a wider audience had a captivating effect, making the TV series much talked about on the work floor. During season 1 it became obvious that the series presented a highly negative image of both orderist and capitalist systems. The writers clearly included some häverist elements in order to create worse circumstances for the main characters in the series. The season finale of season 1 was the best watched episode in TV drama of 7686 in Sokoku.

The series was presented at the annual Fjärran festival in Talpå, Vittmark that same year. Both the anti-orderist and anti-capitalist tendencies attracted an underground audience at the pilot's showing, resulting in the series being bought by the the public broadcaster Länken, affiliated with the Unity Connect political party. It became a viewer success despite the odd airing times on Vittmark's third public service channel. This led to more progressive and counter culture orientated networks and broadcasters acquiring the television rights. The income of the foreign franchise were invested in season 2.

The music featured in the series meant a boost for many of the artists and bands involved. The opening song is a Sokokan classic, still on heavy rotation at radio stations all over the country. The closing credits tracks all reached the #1 position in the sales charts. One of the more unexpected hits was the Stoldic language song called "Helreich" that was used in the season 2 final episode of the first landing of a part of the crew on Koth. It was the first and so far only occassion a song in this language made it into the Top 10 in Sokoku. The domestic success of the music affiliated with the series led to a special release after season 3 with a selection of re-recorded songs with parts being sung in languages like Kamuran, Hallish, Livarian and Wortsproke. "Tidak ada waktu untuk mati" got completely new lyrics in the unusual combination of Hallish and Kakuri, with actress XX (playing Tsumugi in the series) standing for this vocal part.